Suburban Killbot: Top 10 Best Games (2025 Edition)

Back in September 2022 I put together a list of what I considered to be the Top 10 ‘Best’ Games I’d reviewed. I figured it was time to update the list, but deciding what to include and what to cut was pretty darn tricky.

I did consider cheating a little and include entire trilogies within a single slot (Bayonetta / The Witcher) and I did think of expanding the list into a ‘Top 20’ or even a ‘Top 50’.

In the end I decided to just keep things simple, suck it up and pick a final 10. So here they are – the Top 10 Best Games of Suburban Killbot:

1 - Bayonetta 3

Honestly, I could talk all day about how much I love this game (and its banging soundtrack) but I don’t want to spoil anything and I think it’s best enjoyed and discovered by yourself. Bayonetta 3 is an incredible achievement that should (but likely won’t) get the recognition it deserves, at least not from more ‘mainstream’ gaming press / audiences. It’s too much of a video game for their liking.

Bayonetta 3 is f**king amazing and one of the best experiences I’ve ever had with a video game. It’s everything I didn’t know I wanted and more. It’s the perfect end to a perfect trilogy and one of the greatest games ever made. (Review)

2 - NieR: Automata

Visually, NieR is great, though a little rough in the open world. The soundtrack is fantastic. As I said, I can’t recommend the PC version of NieR as it is, but maybe things will change in the future. The issues I experienced did have a negative impact on my experience, but the fact that I was willing to persist with it should give you an idea how impressed I was with the game itself. It’s one of the most unique and interesting titles you’ll play this year, both in terms of narrative and gameplay. (Review)

3 - Clair Obscur: Expedition 33

If you love video games like I do, then there’s one game I’d say you must play this year – Clair Obscur: Expedition 33. Because Expedition 33 is a masterpiece. Regardless of how you may feel about turn-based RPGs – and as I’ve said many times on this blog, I’m not typically a fan – Expedition 33 is simply too fantastic not to play.

From gameplay, to visuals, to animations, to audio, to soundtrack, to performances & VA. To plot, pacing & dialogue, to side content, to boss fights, to . . . well, everything – Expedition 33 smashes it all out of the park. If you love this medium, then Expedition 33 represents everything that’s great about it. (Review)

4 - Half-Life: Alyx

If you already own a VR system then it’s a must buy – it’s a new standard by which all VR games will be compared. But if you don’t own a VR device yet, would I say to pick one up just for Alyx? That’s a tricky one to answer, but I think I’d have to say no, not unless you’ve got money to burn.

However, if there are other VR games you want to play in addition to Alyx, then now is a great time to jump on the VR train – just be aware that Alyx is the new bar by which VR games will be judged, and it may be a long time before we see another game compare. (Review)

5 - The Legend of Zelda: Breath of the Wild

Despite my criticisms and odd irritations, there’s no denying that the overall experience of playing Breath of the Wild was incredibly engaging, engrossing and most importantly – fun. It’s one of those rare titles that comes along and reminds you why you love video games so much. Breath of the Wild was a joy to play. (Review)

6 - Horizon: Zero Dawn

Horizon Zero Dawn was excellent from start to finish. The few weak points – the human enemies / villain and the rather simplistic upgrades / modifications – don’t detract from what is one of the best games I’ve played this year. The main quest is engaging, the side content (beyond a handful of exceptions) is all worth your time with unique narratives, characters and encounters. The combat is great with a variety of tools and enemies with a welcome focus on player creativity and tactics. (Review)

7 - Cyberpunk 2077

It’s pretty hard for me to recommend Cyberpunk 2077 in its current state. I’ve really loved it, but your experience may not be quite as smooth as mine. A friend of mine couldn’t even launch the game, let alone play it. So no, I can’t recommend it. Or, I’d say it’s currently a ‘play at your own risk’ kind of situation. If you can wait, I’d say wait. If not, you’d better accept this is far from perfect in its current state.

But that doesn’t mean you won’t enjoy it. I did. I had an absolute blast. And if the developers can patch those bugs, smooth out those rough edges, reintegrate a lot of those little immersive features they apparently cut and introduce the new kind of content I’ve described here, it will go down as one of the best games ever made. I guess the question is: can they do it? I sure hope so. (Review)

8 - Starfield

I can understand why others may not enjoy Starfield as much as I did, why they may think it dated, but for all its flaws, I still think Starfield is a pretty remarkable game and experience. It’s the kind of game that reminds me why I still love and enjoy playing video games. It’s a one of a kind experience. The kind of game that doesn’t come along very often. A game I’ve already lost myself in for 200 hours and yet, I still want to keep going. There’s a lot more space out there for me to explore. (Review)

9 - The Witcher 3

The Witcher 3 provides an extensive and comprehensive Witcher experience. Even after completing the game (120 hours) I still want to keep playing. It’s flawed, but fantastic. It can be exhausting at times and occasionally overwhelming, but it always manages to pull things together and keep you on track. It’s bloated, messy, frustrating and wonderful. And for all its problems, it’s still one of the best RPGs I’ve ever played. (Review)

10 - Senua’s Saga: Hellblade 2

Senua’s Saga: Hellblade 2 is an incredible technical achievement and one of the most immersive and engaging experiences you’ll ever play. It’s a game that deserves to win awards for its visuals, story and performances. You won’t have experienced anything like this before and you might not ever again. Games like Hellblade 2 remind me why I love this medium so much. I f**king love video games and it’s because of games like Hellblade 2 that I do. (Review)

Now Playing: Sonic Racing: CrossWorlds

I was a little on the fence about picking up Sonic Racing: CrossWorlds at release, mostly because of the price. But I did pick it up and . . . yeah, I still think the price is too steep and has likely limited sales. That’s a guess on my part, but I feel like a lower RRP would have encouraged more people to buy at release, rather than wait for a sale.

Pricing aside, CrossWorlds is a pretty great racing game. As I said in my BETA impressions post, I don’t feel the, uh, ‘feel’ of driving in CrossWorlds is quite as good as in Transformed, even after sinking over 20 hours into the game. The handling doesn’t feel quite as good. The drifting is a little more ‘rigid’.

And I still feel that the races – particularly the online races – are too heavily influenced by item usage / spam leading to some very chaotic encounters where it feels like chance plays a bigger factor in your final position in a race than skill. Luck is always going to be a factor in a kart racer like this, but it’s all about the balance. Right now, the balance between chance and skill still isn’t quite right. They certainly need to make a few tweaks to various items – and perhaps, as I said in my BETA post – a reduction in item availability.

But, those problems aside, CrossWorlds is a very enjoyable and replayable kart racer. I’ve actually put more time into CrossWorlds already than I ever did into Transformed. There are eight Grand Prix to play, each with 3 tracks, in addition to 15 CrossWorlds (the chosen or randomly selected second lap of every race).

You have multiple ‘speeds’ (difficulty) to choose from, as well as a ‘rivals’ system with its own separate difficulty setting. You even have a fun ‘mirror’ version of all the Grand Prix. Beyond the main GP modes you have the ‘Race Park’ which offers a selection of themed, team based races and, once again, ‘rivals’ to challenge. And then we have the Time Trial mode which offers different speed settings and ranks to clear. And all of these modes offer rewards you can unlock as you progress and complete various challenges.

This progression of challenges and rewards, along with the fun kart customisation, give CrossWorlds (at least for me) more replay value than Transformed. You’re not done with the game once you’ve cleared all the courses because there’s always more to unlock.

There are multiple kart types to pick from, each of which has multiple parts that you can mix and match to fine tune your kart stats. Each character also has their own specific stats so you can put together a combination of character and kart that’s entirely focused on boosting a specific skill – speed, for example – or choose a combo that offers a more balanced approach.

 

Your karts aren’t just customisable in terms of parts but also visuals, with an extensive selection of art and colour choices. And then we have the ‘Gadgets’ which provide even more ways to customise your racing experience, more replay value in terms of experimentation with different gadget combos – and even more chaotic racing!

Gadgets are modifiers that can be used to mix up all sorts of things from kart stats, to item frequency / effectiveness, to speed boosts related to specific skills (ring collection / drifting). With a full ‘licence’ you can have up to 6 slots for gadgets, but some gadgets can take up to 3 slots each, so there’s a balancing act between more or less gadgets, and what kind of modifiers you want based on how you prefer to race.

Do you focus on speed or acceleration? Do you want a kart that boosts as fast as possible? There’s always a trade off, however and it’s also important to build your gadget set up around the kind of kart and character you’ve chosen.

In terms of visuals, sound and performance, I can’t really complain. The game is very polished, runs totally smoothly and although some online match making can be a bit slow, I’ve only experienced a single disconnect in all my hours of play. The game is bright, colourful, with catchy music and even though things can get pretty chaotic at times, it’s still pretty easy to read what’s going on.

The only thing I’m really not a fan of so far are the themed ‘festivals’. These run over just 3 days and offer a selection of rewards if you engage in the team based online festival races. Although it’s not too hard to unlock everything on offer it still forces you to play and grind through these races if you don’t want to miss out.

It might be they’ll cycle through these festivals regularly, giving you a chance to claim any rewards you missed but at the time of writing, that’s not been confirmed. They also lock you out of regular online racing during these festivals so if you enjoy that and don’t care about the festival stuff, you’re shit out of luck.

Overall, Sonic Racing: CrossWorlds is an excellent kart racer with plenty of content to keep you busy and plenty of replay value. There’s certainly room for improvement in terms of balancing, and I do think the festival system needs more work but as a package, CrossWorlds delivers a great experience. I still think at its current RRP it’s a little overpriced, so maybe wait for a sale, eh?

8/10

Battlefield 6 (Campaign)

I didn’t have particularly high expectations for the Campaign of Battlefield 6. I figured it would be a perfectly fine – if forgettable – experience. Turns out, I was wrong. I should have set my expectations even lower because the Campaign of Battlefield 6 isn’t just forgettable – it’s just bad.

Now, you might say it doesn’t really matter – that nobody is playing Battlefield 6 for the Campaign. But the fact is, the Campaign is part of the package you’re paying for and as such, it’s fair game for review.

The Campaign consists of nine missions and took me about 4-5 hours to complete on the hardest difficulty, although that time didn’t include hunting down the collectible Dog Tags. So let’s start with the story – the Campaign opens with a conflict breaking out between NATO and the PAX Armata – a global, private military force.

You’ll play as a select few characters throughout the missions as you fight to thwart the nefarious plans of PAX – you only ever see the conflict from the NATO side, which is kind of a shame, because PAX could have been a more interesting and morally / politically complex force than just the ‘bad guys doing bad things’ they end up being.

The missions are framed as flashbacks to events prior in the conflict as the story tries to inject a rather trite ‘CIA conspiracy’ angle into things. It’s all complete nonsense, of course, and totally unnecessary. It certainly doesn’t add anything to the story because the Campaign ends right when you ‘expose’ the truth. Sort of. Maybe. I don’t know. None of it really makes any sense if you stop to think about it.

The characters are of the ‘Oorah!’ variety, all very serious, all very ‘Oorah!’. I don’t really mind that though – I mean, it’s exactly what I expected. And even if the story is kind of shit, I wouldn’t care so much about that either if the missions themselves were fun.

Oh dear. The missions just aren’t very fun at all. I thought the Campaign might see you switch between characters that represent the different MP classes – Assault, Recon, Support and Engineer – giving you a taste of each and their associated abilities / gadgets. It – sort of – does this, but it doesn’t really commit to it and a lot of the abilities / gadgets of MP aren’t available at all.

This is also true of vehicles. Aside from a single mission in which you get to drive a tank (and a pretty dull mission at that) there’s practically no vehicle use in the campaign. I’m not asking for the entire Campaign to serve as a general tutorial for the MP, but I’d expect it to at least reflect all aspects of the MP experience.

Where’s the helicopter mission? Or the jet mission? There aren’t any! The only moments you get in a helicopter are entirely scripted. In fact, most vehicle use is just you locked into a static turret section. A Battlefield Campaign should play to the strengths of Battlefield – large scale battles, lots of vehicles, combined arms – instead, the Campaign plays out like a really bad, heavily scripted Call of Duty campaign.

The mission design is generally poor and feels like something ripped out of a bog-standard military shooter released 20 years ago. The destruction physics, like the vehicles, are barely utilised, and the AI is absolutely atrocious. I can’t recall the last time I saw AI this bad in a shooter.

I just don’t get the point of it. It doesn’t serve as a good tutorial for MP in terms of classes, skills, gadgets or vehicles and it doesn’t reflect the Battlefield ‘experience’ in terms of large scale battles or combined arms. It barely utilises the impressive destruction physics when – in a scripted campaign – it could have done so in some truly exciting ways. The story is bad and the AI is terrible.

Even if you already own Battlefield 6 it’s hard to recommend bothering with the campaign unless you want those collectible achievements. And if the Campaign was one of the main reasons you were thinking of picking it up – don’t. Seriously, don’t.

Now Playing: Deliver At All Costs

In Deliver At All Costs you play as Winston, a young man who takes a job at the ‘We Deliver’ courier service, tasked with making various deliveries throughout a 1950s-esque American world, one in which nearly everything can be driven through, into, over and destroyed.

I was expecting an isometric Crazy Taxi style experience, with timed missions in which your goal is to – as the title suggests – deliver at all costs by ignoring the roads and ploughing through anything that gets in your way. But sadly, that’s not what I got.

The first thing that surprised me about Deliver At All Costs was how many cut-scenes there were and how prominent the story was in the experience. I didn’t see this is a bad surprise – at least initially – because I was curious to see how the story would play out.

But within the first few hours of play, I found myself growing rather sick of it, feeling that I was spending as much – if not more – of my time watching (rather dull) cut-scenes than actually playing the game. To make matters worse, the game forces you to tediously drive to and from work between every mission or two.

It’s a repetitive and frankly unnecessary journey that feels like it exists purely to pad out what is already a fairly meagre quantity of content. I was spending more time driving to work and back again between missions than I was actually playing the missions themselves.

And the missions suck for the most part. It’s not like there’s no fun to be found here, but every time I did start what felt like a fun mission, the game ruined it by needlessly dragging the mission out by forcing me to do the same, repetitive task several times in a row.

The mission I probably enjoyed the most involved towing a ‘bomb shelter’ (shaped more like a wrecking ball) to a property and watching as it flung itself through buildings and smashed over cars like something out of the ending of Fast 5. But even that mission is marred by the game continually redirecting you to yet another location to the point of tedium.

 

And then you get a lot of missions that really aren’t fun at all – like one where you’ve got to tediously ‘catch’ boxes that fall from the sky and the game wants you to do it several times in several different locations.

Or there’s the mission I hated the most that sees you transporting a bomb on the back of your truck and even the slightest of knocks causes it to explode. In a game with rather wonky driving, the mission was tedious as f**k to get through because even a tiny knock kills you and forces you to watch the same ‘comedic’ cut-scene before re-spawning (thankfully) somewhat nearby.

I’ve used the word ‘tedious’ or a variation of it a lot already in this review because that’s how I can best sum up my experience of playing Deliver At All Costs. I feel like there’s a really fun, simple and more arcade-like experience buried here beneath layers of boring story, pointless back and forth travel and dull as dishes mission design.

You also realise quite early on that the ‘destruction’ aspect really is just a gimmick that’s more detrimental to your experience than transformative. Sure, you can plough through a building on your way from A to B but chances are, it will only slow you down if not stop you entirely when you get stuck on some piece of fallen scenery.

There’s also a lot of environmental pieces that can’t be destroyed, and it’s quite easy to get your car totally stuck forcing you to go into a menu to re-spawn nearby. So in the end, you learn that sticking to the roads and avoiding driving through, into or over anything leads to a smoother, less irritating and more enjoyable experience – which kind of defeats the entire point of the game.

After about 2 hours playing Deliver At All Costs I thought I might just give up because I really wasn’t enjoying it, but I decided to persist and see if the game improved. Spoiler: it didn’t. I started skipping most of the cut-scenes but I saw enough to know the direction the story takes is absolute nonsense.

The game is split into 3 acts, the first of which is the longest, and then the next two are both pretty short. The last is only 3 missions. I finished the game with about 5 hours clocked, but if I hadn’t been skipping so many of those boring cut-scenes it might have been 10.

Overall, Deliver At All Costs isn’t a game I can recommend. I got it for free on Epic and honestly, even if you got it for free too, I’d say don’t waste your time with it. It’s a game that doesn’t seem to know what it wants to be. I kind of hated most of my time playing it aside from those very, very occasional moments in a mission when I suddenly realised I was having fun. But those moments are fleeting and don’t last very long.

4/10

Gallery: Clair Obscur: Expedition 33

Now Playing: Lethal Company

Lethal Company is a co-op focused sci-fi survival horror game in which you play as employees of ‘The Company’ who send you and up to three friends to various moons to collect, return and sell scrap. You have a set quota to meet within three days. Hit that quota and you can continue on to the next. Don’t hit it and . . . you’ll see what happens.

Every time you visit a moon (even the same moon) the facility you’ll be searching for scrap is randomised so you never know the exact layout, what kind of scrap you’ll find or what kind of nasty creatures lurk within. The randomisation doesn’t always feel fair – I’ve died upon first entering a facility because a creature or lethal trap is just on the other side of the door.

But that random element and just how unforgiving Lethal Company is does give the game a unique sort of charm. I can’t imagine ever wanting to try playing this solo. This is a game designed for co-op because those bad rolls of the dice are where you’ll likely find the most funny and unexpected moments.

It’s undoubtedly repetitive, however, even with the randomisation. The facilities you enter tend to all look alike and follow the same basic structure. There is progression in the sense that as you sell more scrap you can also purchase more equipment to improve your chances of success, but everything resets once you miss that first quota sending you straight back to square one.

And you’ll probably be missing your quota a lot early on so that means a lot of restarts. Sometimes you just get a bad run of luck as the game decides to generate the most hostile facility imaginable and there’s little you can do about it. It can be frustrating but, provided you’re playing with friends, you probably won’t care too much as long as you’re having fun.

And there is a lot of fun to be had in Lethal Company, mostly from your (nearly always) lethal encounters with the weird creatures that inhabit the facilities. You never know what you’re going to find and I’m still encountering all kinds of new weird shit every time we start a fresh run.

I’m not convinced by the longevity of the title, not without a more permanent progression system (an option would be nice) or a wider variety of randomised facility types, but it’s the kind of game I’m happy to drop into now and then to mess about with a friend. We chat, we laugh, we die a lot.

The visuals are deliberately muddy and simple. I’m not sure if the stylised aspect of it is intentional or just a convenient way to hide the low quality models and textures. It’s a shame there’s very little in the way of game or UI customisation options but I know there’s a fairly active mod scene that probably addresses a lot of my issues.

And Lethal Company is still in Early Access so it’s possible it will improve upon all of its features going forward, but given how infrequently and unsubstantial the updates appear to be, I wouldn’t bank on it. For the eight quid we each paid for it I’m sure my friend and I will get some value out of it though.

Lethal Company, at the time of review, is a cheap and cheerful and undoubtedly amusing little co-op game. There’s fun to be had but also a lot of room for improvement. I’m sure it’s something we’ll return to now and then if we fancy a change of pace from our regular Phasmophobia games.

6/10

Sonic Racing: CrossWorlds (BETA)

As a big fan of Sonic & All-Stars Racing Transformed I was eager to give Sonic Racing: CrossWorlds a spin to see how it compared. As far as a BETA goes, this was very polished and smooth and I didn’t encounter any issues when playing online. The game looks great. It’s bright, colourful, but pretty easy to read even amidst the chaos. And ‘chaotic’ is how I’d best describe playing CrossWorlds.

Item spam is pretty crazy when playing online or with harder AI settings, and this BETA didn’t even give us access to the top tier AI difficulties. Item effects are popping off all around you practically from start to finish. That . . . might need to be a little toned down, because right now, it feels like item usage / management is actually far more important than the actual driving.

It’s not unusual to be leading a race and go from 1st to 12th and then back again all within the space of ten seconds or so because of items being used against you, only for you to use them back and regain your position. Transformed spaced out item pick ups far more and only let you carry one at a time so their usage had to be more considered, whereas CrossWorlds lets you carry two and pick ups are found on nearly every turn.

Handling is pretty good, but you need to make sure you turn off any drive-assists. Drifting feels a little more . . . rigid, I guess, than in Transformed, but it’s something you learn to manage. I actually downloaded Transformed again and played through a few tracks to better compare and . . . yeah, I think I do prefer the handling in Transformed, but there’s not a lot in it, and they’re both fun.

I also really liked Transformed for the Sega nostalgia angle and whilst I’m sure CrossWorlds will delve into Sega history for various racers and tracks, the game is set up to do what so many big and successful live service games do these days – crossover IP. They’re already announced Minecraft, SpongeBob SquarePants and Pac-Man. It’s a clever way to expand the appeal of your game and open the door to all kinds of other crossovers regardless of platform.

The ‘gimmick’ I guess of CrossWorlds is how you seamlessly switch between tracks during a race. It does help keep things fresh because you never know what track you’ll be racing on for the next lap. Visually, CrossWorlds looks great and runs flawlessly, at least from what I experienced. I also like the vehicle customisation and the gadgets that provide various modifiers to play with.

Overall, although I can’t say I didn’t enjoy this BETA I do feel, frankly, like I could just go back and play Transformed again because I’m more interested in the Sega stuff than this other IP and also because I think the item / race balance is far better. I like to feel that my driving skill is what ultimately wins a race, not how lucky / unlucky I am when it comes to items.

I’m also not sold on the price which feels a tad steep, but I guess it’s not that unusual these days. So yeah, I’m kind of on the fence with this one, but we’ll see how it shakes out and what new content they add. And also if they find a better balance when it comes to driving skill versus item usage because it’s a little too messy right now.

Gallery: Stellar Blade

Battlefield 6 (BETA)

I really enjoyed Battlefield V. The movement and shooting felt great. I thought the maps were really good. I loved the destructibility and how it completely transformed the battlefield, directly affecting the progression of the fighting. And I really liked the fortifications system which also fundamentally changed how the map came to play over the course of the fight. Which is why I was so eager to play Battlefield 2042 – at least until I tried the BETA and realised it was kind of f**king terrible.

Spin on to today and a BETA is now available for Battlefield 6. After the massive disappointment of 2042, could 6 win me back over? After sinking about 15 or so hours into this BETA across two weekends in August I’d say my answer is . . . I’m not convinced. Not quite.

The movement and shooting certainly feel good, and I really like the weapon customisation. And the game looks fantastic, without a doubt. But my big issue with the BETA was the maps. There’s a ton of destructibility to the maps but – unlike Battlefield V – the destruction doesn’t really change the ebb and flow of the battle.

It feels more like (admittedly impressive) eye candy, rather than something that truly has a substantial impact upon the gameplay. Yes, you can demolish the front of buildings . . . but those buildings still stand and the ‘corridors’ of the map remain exactly the same from beginning to end.

This wasn’t really the case in Battlefield V in which you could level entire structures and then build significant fortifications within the ruins. There’s no fortifications system in 6 though, which does make some sense given the setting, but it’s a missing component to what made V so compelling. I mean, couldn’t we have had sandbags at least?

And the maps in this BETA all felt . . . small. I don’t know if the full game will feature larger maps, but these maps felt like they were straining to contain a full server of players. The maps felt designed to funnel opposing teams into quite linear, narrow corridors. Ground vehicle use was very limited, and air power use was practically non-existent.

Now, this was a BETA so there’s going to be a degree of confusion as players learn the maps, learn how weapons handle and how best to utilise the various pieces of equipment. Early BETA play is always a tad chaotic. But even so, Battlefield 6 feels just a little too chaotic. There’s so many angles to cover, so many little pathways winding around the main channels. And because the maps are so small and players are everywhere you feel like you’re getting shot from seven directions at once.

It felt, I hate to say it, more like a Call of Duty match at times. I don’t think the TTK is too fast – I think the problem is that there’s no real ‘break’ from one combat encounter to the next due to the size and design of the maps. As soon as you spawn you’re fighting, killing and dying before you can even catch a breath.

Conquest, as a mode, is chaotic by nature, but Breakthrough – one of, if not my favourite mode in BFV – should be more controlled, more deliberate and more orderly with clearly defined points and paths to attack and defend. But in BF6, Breakthrough feels just as chaotic as Conquest and once again, I think it’s the small maps that are to blame.

My least favourite map was Liberation Peak in which you can spawn and see a thousand stars staring back at you – the stars being sniper scopes because the map is far too open and if you stick your head out of what little cover there is it’ll be blown clean off in seconds.

So yeah, not really a fan of the maps so far. I don’t hate them or anything, they just all feel so small and those ‘battlefield moments’ when the chaos of the sandbox comes together to produce a spectacular scene feel very few and far between. It now just feels like another standard shooter. But this is only a BETA so we’ll see how the game and its other maps shape up on release.

Now Playing: The Alters

In The Alters you play as Jan Dolski, the sole survivor of a deep space mining mission that’s gone disastrously wrong. Stranded on a hostile planet full of dangerous anomalies and the unrelenting approach of a sunrise that will incinerate everything in its path, Jan must find a way to survive and escape – but he won’t be able to do it alone.

Jan is going to need help and that’s where his ‘alters’ come in. Using the quantum computing technology of a mobile mining base combined with the special properties of the element ‘rapidium’, Jan can create clones of himself – but not just clones. These ‘alters’ are tailored by the quantum computer (QC) to fulfil specific roles that Jan cannot – a technician, a doctor or a scientist for example.

By analysing Jan’s life, the QC can create ‘branch’ life paths for the clones, giving them the necessary skills. The alters are created to be used like tools – not people. But they are people, and they’re all Jan. Or rather, they’re like an alternative version of Jan who made different choices in their life.

The Alters is one of the most unique games I’ve played in a long time. There’s a third person exploration aspect as you take Jan out onto the planet’s surface to locate and harvest the various resources you need, but also to investigate and overcome obstacles in your path. The game is split into three main acts, each of which takes place in a new location on the planet.

Each location is visually distinct and more expansive (and challenging to navigate) as you progress. Each also features new anomaly types to contend with. You’ll have to research and develop new tools in order to advance and escape the approaching sun. But everything you do costs resources, so you’ll also need to locate resource nodes and set up mining installations across each location and assign either Jan or his alters to operate them.

But when you return to your mobile base, the game switches tack to a base building and people management sim. You’re given a 2D side perspective of the base. This is where Jan and his alters live and work. It’s their home and their refuge from the radiation and anomalies on the surface and it’s also their only chance of escape.

As you progress through the game you’ll be able to expand the base, constructing new modules to gain access to new base functions – some required to produce the tools or resources you need to survive such as a workshop or a greenhouse – but others to improve the lives and moods of your alters such as personal accommodation or social spaces.

The alters are Jan, but they’re also not Jan and they don’t all necessarily get along with each other or with Jan himself. They’ve all ‘lived’ different lives and have different perspectives on life and on how to approach the situation they all find themselves in. And those are perspectives that Jan can learn from. Through his alters he can see all the different ways his life could have gone – for better or worse.

Expanding the base takes resources. A bigger base requires more resources to maintain. More alters require more food. The base management aspect of The Alters is a balancing act of various priorities – figuring out how to maximise your available resources, deciding what to research, what to build or where to assign your alters. Because if you can’t keep your base stable and operational and if you can’t keep your alters happy then they will turn against you.

I really love the story and character aspects of The Alters. It’s one of those thought-provoking premises that – yes, it’s been done before in other media – but it translates really well into a game thanks to the ability to give the player a choice in not only what kind of alters they want to create, but various choices throughout the story as to how they all (or just Jan) can survive and escape.

I don’t want to spoil any specific story aspects here because I think it’s best going into The Alters without knowing too much about the direction it takes but I can say I thoroughly enjoyed playing through the story and I certainly want to do a second run with a different selection of alters.

That said, I can’t say that your choice of alters in terms of gameplay progression really makes that much of a difference – you can build an infirmary without a doctor, for example, but even if you have a doctor alter, you’ll probably never need to ‘assign’ them to the infirmary because there’s never any real need to do so.

I do feel like they could have pushed the replay value more by making each alter choice more impactful upon how you progress and expand your base. The alters are all different in terms of personality and they each have their own ‘story’ to work through – but ultimately, you can assign them all to the same key roles (maintenance, mining and crafting) regardless of their specialisation.

I also have to mention a bug I hit during Act 1 that made me ‘fail’ the game despite completing the goals of an assigned task. I had to restart from scratch, losing 8 hours of play. That wasn’t super fun, but I did race back to where I was in much better shape in half the time. Once you understand all the systems of The Alters and how they connect and interact, it becomes a lot easier to manage.

Overall, The Alters is a very unique and original game that successfully combines an engaging premise with a strong narrative, great characters and a cool mix of third person exploration and base management. It’s one of those games where you can honestly say there’s nothing else quite like it and if you’re a fan of thought-provoking sci-fi then I definitely recommend checking it out.

8/10